This is a short review of Capture One Pro 12, Phase One’s alternative to Adobe’s Lightroom CC package. Version 12 introduces some new features which, unlike last years update, should make this an upgrade that is much easier to recommend for most users. But is it worth the accompanying eye watering price rises?
One of the challenges with Olympus micro 4/3 cameras is the mind bogglingly large number of options and shooting modes. I use an E-M1 mark II with an Olympus 60mm macro lens to digitise 35mm negatives, but I have never really been sure what the optimum way to configure the camera was. This post is an attempt to put that right…
This is a brief review of Capture One Pro 11, the latest update to Phase One’s alternative to Adobe Lightroom. The key new features are: image annotations enhancements to layer functionality performance improvements This is a pretty slim list, which is why this is only a brief review…
Phase One has just announced the latest update to their flagship RAW processing software, Capture One 10, with a raft of new features and improvements – and a €99 price tag for the update. Is it worth upgrading? Capture One is a RAW developer that was originally designed primarily to support Phase One’s digital medium format backs, but which is today a much more capable package that supports numerous camera types and which now rivals heavyweight software such as Adobe’s Lightroom. I have been using Capture One since version 7, and […]
A short set of images taken on a walk in Sitges. Shot on digital using a 35mm lens and polarising filter. Incidentally, the vignetting on some of these images is completely natural, although perhaps exaggerated slightly by the skies and polariser. The lens is a Zeiss ZM 1,4/35 (35mm f1.4), which is nice and small and incredibly sharp, but which pays for that to some extent with dark corners shot wide open – a common problem with Leica lenses shot on digital rather than film. Here is a gratuitous […]
Having just processed and scanned a new batch of four colour films, I am struggling again with how to get the best possible detail out of the scans. To understand how well the scanning was working, I use a reference macro image of the negative to check the sharpening applied in Capture One.
I finally figured out a workflow that allows me to scan and then process black-and-white images with reasonable efficiency using Capture One… The main challenge is that C1 fails to handle the 16 bit grayscale TIFF images that the scanner produces, necessitating a conversion to a 16 bit colour TIFF file before the imported images can be edited. The trick is to use ZIP compression, which leaves the file sizes virtually unchanged. As a result, my film processing workflow currently looks something like this: