Still experimenting with colour processing in Capture One… this time with a series of fragmentary images taken around Benasque, a beautiful village in the Spanish Pyrennees.
Three landscape images, taken in the Picos de Europa. These were shot in rather dull (and damp!) weather, so this was largely an experiment in using local edits for contrast and exposure in Capture One to give the images more punch.
A short set of panoramic black and white film images taken around El Prat, just outside of Barcelona. This is a mainly agricultural area, with many walks that make a nice change from being in the city. All images made with the Horizon panoramic camera, using Delta 100 film.
A short set of landscape images from the Gallecs rural space, just outside of Barcelona. This is a large area which has been preserved as farmland, largely thanks to the efforts of the local population to resist the pressures of urban and industrial development. The freshly ploughed clay soils have an amazingly deep and rich red colour. And lastly, a bonus image of some street art in the underpass connecting the town of Mollet del Vallès to the agricultural lands:
The first of an occasional series looking holistically at the transitions between intra and extra-urban spaces.
Transient Eye is five years old today (!), and so to revisit the theme of the very first post we have a selection of infrared images taken recently while hiking in the Italian Alps.
A set of photographs taken on walks in the Garraf, a “protected area” between Barcelona and Sitges. The zone is disconcertingly industrial for a natural park, even though (somewhat surprisingly) the area is officially part of the Natura 2000 series of protected green spaces.
A short set of architectural fragments, shot in Frankfurt. There is a lot of new development in this relatively small city, driven in no small part by the exodus of banking from the UK due to Brexit. One of the (many) economic problems for the UK created by Brexit is the impending loss of financial passporting rights, which allow more than 5000 financial companies in the UK to trade across Europe – including full access to the lucrative Euro denominated clearing and derivative markets. Brexit means that they will loose […]
A short set of images taken around the piers in Brighton, during a rather stormy period. I have been meaning to try to take some pictures of the old piers for some time, although the original intention of making some long exposure sea-scapes was largely thwarted thanks to a slight aversion to the gale-force winds that were seemingly laced with sleet for much of the time…
A set of landscape photographs taken along the coast near Lynton and Lynmouth from a rather cold and wet weekend trip to the UK. It is not exactly Cannes, but the slightly less than hospitable weather makes a nice backdrop for the black and white imagery. All images shown here taken with the M 262 and 50mm Summilux, processed in Capture One 11. These would have worked very well on Delta 100 film, but it would have needed a heavy tripod to deal with the lighting and wind. At one […]
Barcelona, the Collserola and power lines. Another Olympus macro scanning test, with Delta 100 shot via the M7 and 21mm Super Elmar and a stack of contrast filters.
Another couple of days off from work and a chance to revisit the Cataratas del Iguazú. These amazing waterfalls lie along the border between Brazil and Argentina and are surrounded by a beautiful tropical forest, which in the 19th century once covered almost the entirety of this region. The falls can be visited from both Argentina and Brazil – and both sides are just awesome. All images were shot with an Olympus E-M10II and 12-50mm kit zoom.
Three distant hikers on Il Giumello, Italy. Leica M7 with ZM 1,4/35 and yellow filter on Ilford Delta 100 with DD-X 1+4 for 9:00 at 24c.
Mountain village and landscape. This was exposed for the shadows, and the more limited dynamic range of Delta film (compared to HP5+ or colour negatives) leads to this wonderful fade to white from the highlight roll-off, which is helped nicely by the beautifully subtle rendering of the distagon lens. Leica M7 with ZM 1,4/35 distagon and yellow filter on Ilford Delta 100 processed in DD-X 1+4 for 9 minutes at 24c.
Mountain scene in Northern Italy. Leica M7 with Zeiss ZM 2/35 and a dark red filter on Ilford Delta 100.
Mountain view with larch trees. Leica M7 with ZM 2/35 using a red filter and Ilford Delta 100.