A short set of images taken around the piers in Brighton, during a rather stormy period. I have been meaning to try to take some pictures of the old piers for some time, although the original intention of making some long exposure sea-scapes was largely thwarted thanks to a slight aversion to the gale-force winds that were seemingly laced with sleet for much of the time…
A set of landscape photographs taken along the coast near Lynton and Lynmouth from a rather cold and wet weekend trip to the UK. It is not exactly Cannes, but the slightly less than hospitable weather makes a nice backdrop for the black and white imagery. All images shown here taken with the M 262 and 50mm Summilux, processed in Capture One 11. These would have worked very well on Delta 100 film, but it would have needed a heavy tripod to deal with the lighting and wind. At one […]
Barcelona, the Collserola and power lines. Another Olympus macro scanning test, with Delta 100 shot via the M7 and 21mm Super Elmar and a stack of contrast filters.
Another couple of days off from work and a chance to revisit the Cataratas del Iguazú. These amazing waterfalls lie along the border between Brazil and Argentina and are surrounded by a beautiful tropical forest, which in the 19th century once covered almost the entirety of this region. The falls can be visited from both Argentina and Brazil – and both sides are just awesome. All images were shot with an Olympus E-M10II and 12-50mm kit zoom.
Three distant hikers on Il Giumello, Italy. Leica M7 with ZM 1,4/35 and yellow filter on Ilford Delta 100 with DD-X 1+4 for 9:00 at 24c.
Mountain village and landscape. This was exposed for the shadows, and the more limited dynamic range of Delta film (compared to HP5+ or colour negatives) leads to this wonderful fade to white from the highlight roll-off, which is helped nicely by the beautifully subtle rendering of the distagon lens. Leica M7 with ZM 1,4/35 distagon and yellow filter on Ilford Delta 100 processed in DD-X 1+4 for 9 minutes at 24c.
Mountain scene in Northern Italy. Leica M7 with Zeiss ZM 2/35 and a dark red filter on Ilford Delta 100.
Mountain view with larch trees. Leica M7 with ZM 2/35 using a red filter and Ilford Delta 100.
Early morning sun in the mountains. Leica M7 with ZM 2/35 and a dark red filter on HP5+ processed in HC 110 1+63.
Leica M7 with ZM 1,4/35 and yellow filter on Ilford Delta 100 developed in DD-X 1+4 at 24c.
Leica M7 with ZM 1,4/35 and yellow filter on HP5+ developed in HC-110 1+63 at 27c. The fast 35mm lens is wonderful for these kind of ethereal scenes.
An old mill (?) which has been restored and converted to apartments in Margno, Italy. It is a beautiful setting, but it reflects the sad trend where in Europe almost seemingly every change is towards property investment, tourism and upmarket coffee shops. Leica M7 with ZM 1,4/35 and yellow filter on Ilford Delta 100 developed in DD-X 1+4 at 24c, with noticeably less grain than the previous HP5+ images.
If a tree falls…?. The first of a new sequence of black-and-white film images, and also a new posting format with daily film shots combined with a longer pieces at the weekend. Taken with the Leica M7 with ZM 1,4/35 and yellow filter on HP5+ developed in HC-110 1+63 at a rather too hot ambient temperature of 27c. While I like the tree, for these images I am not a great fan of the grain that I am getting with this combination of HP5+, developer and temperature. Unfortunately, it is not easy […]
These were some of the areas that we hiked through to take the photographs in Catholic Imagery from the Italian Alps. Most of these were taken in the stunningly beautiful Val Codera, close to the Italian-Swiss border. A welcome antidote to the current chaos and pollution in Barcelona.
Another five images, all from around the Monjuïc, Barcelona, and taken with the Ricoh GR II. Finally, after three months of drought there has been some rain. Real weather with real clouds and wind again.
Landscape (lakescape?), shot on Lago di Como, Italy. The ghostly halos around the reflections are the rendering from the Zeiss C-Sonnar lens, which was used here with a stack of ND filters to allow it to be used nearly wide open while not burning a hole in the M7’s shutter curtain… Shot on Delta 100, processed in HC110 at box speed.