More Barcelona street photography at night, shot with push-processed film.
Four more night-time street images shot on film, with a focus on tourism and commercialism.
A short set of new images in the Barcelona Dark series. I am gradually managing to tame the processing and also gradually migrating away from 50mm to 35mm for the shots – largely because the 35mm is noticeably easier to focus and hand-hold. Some of this might just be psychological, but fear of failing to get rapid and accurate focus with a 50mm means that I seem to have more close-up images of subjects with the wider lens. These are also somewhat more randomly framed than usual. Not sure if […]
A short set of Italian alpine landscape images, which seems appropriate for the time of year. These were shot in several locations, from Vall di Mello to Lago di Como, and are a pretty good summary of what August should be like. Unfortunately for us, August is going to be a busy month, and I am putting the blog on hold now until things settle down in September, when it might also be cool enough to process film again…
More night-time photographs from Barcelona, again shot on Tri-X (400TX) and processed in ID-11 with the M7 and 35mm f1.4. The 35mm does make it easier to deal with focus, but it is very difficult to get close to or isolate subjects except in the narrowest of streets.
Now that the camera, film-stock and developer issues are resolved it is finally time to get around to starting the project that was originally meant to start in January – night photography in Barcelona.
A new set of night shots on film from Barcelona – this time using pushed Tri-X (400TX) developed in ID-11.
After six months away, the M7 is back and seems to be working. These are the last of the test images used to check that the camera was working correctly. All the images were shot here using Delta 400 rated at EI1600 and push-processed in DD-X 1+4. Everything was shot with either a 50mm C-Sonnar or Summilux lens with manual exposure and manual focusing.
A short sequence of randomised image pairs from Sant Gervasi to Vallvidrera.
The M7 is now back from its latest repair attempt in Leica, and I have shot a couple of test films to re-check the focus calibration and metering. So far, it looks promising. The metering is now usable at ISO 400, and ISO 1600 looks ok down to about 1/8th second (a huge improvement from before, where it was failing at 1/125th). But…
A quick set of images of the Walden 7, an innovative high-density housing block in Sant Just Desvern, on the edge of Barcelona. These were taken on the way back from a walk along the hills at the edge of the city, with a conscious detour to see the block that was just possible before heavy thunderstorms arrived.
A set of tourist snapshots captured while on a short trip to Berlin. It is a fascinating city with a rich, complex and often tragic history, and it would be interesting to have time to undertake a more in depth photographic project there. All images shot with the Leica M10 and 50mm Summilux. I did take a wide-angle lens as well, but never used it because 50mm always just seems right.
Another short set of push-processed film images, showing some fragments of urban Barcelona. These are from some more test rolls looking to improve the processing and improve contrast (using Delta 400 in DD-X 1+4).
A set of stormy beach scenes, shot along the coast from Badalona to el Masnou, north of Barcelona. These were part of a film shot as part of a processing test for Delta 400 exposed at EI1600 and processed in DD-X 1+4 as if shot at EI 3200. The resulting grain is quite harsh, but also quite fine compared to faster films. The film was scanned using an E-M1.2 with a macro lens, which tends to de-emphasise the grain compared to standalone (non-flatbed) film scanners.
Still experimenting with colour processing in Capture One… this time with a series of fragmentary images taken around Benasque, a beautiful village in the Spanish Pyrennees.
Three landscape images, taken in the Picos de Europa. These were shot in rather dull (and damp!) weather, so this was largely an experiment in using local edits for contrast and exposure in Capture One to give the images more punch.