A short set of images taken on a walk around the mouth of the River Besòs. This ought to be premium beach front in Barcelona, but a long history of industrial use means that much of it is a dramatic change from the pristine tourist beaches in Barceloneta and around Port Vell.
A short set of images taken walking along the beach inn Barcelona with some stormy weather.
A short set of colour digital images taken over the course of a week at Plaça de la Rosa dels Vents, Barceloneta.
Barcelona’s weeks of fire: after sentences were issued against the Catalan political leaders responsible for the events around the constitutionally illegal 2017 independence referendum and the subsequent unilateral declaration of independence, the region has been rocked by both peaceful and (as shown here) rather less peaceful nationalist protests. This is a set of images shot around the upmarket central streets of Passeig de Gràcia and Via Laietana in the centre of Barcelona.
Continuing the series of night-time street photographs in Barcelona. This time I have tried using a 28mm lens, which has proven very difficult. You might expect that the wider angle would mean needing a lower shutter speed, but in practise if you try to get closer to the subject to compensate for the wider field-of-view there is no real advantage. Add to this the practical limitation that my 28mm is a stop slower than my usual lenses, and it is very hard to catch images successfully. With the typical light […]
More Barcelona street photography at night, shot with push-processed film.
Four more night-time street images shot on film, with a focus on tourism and commercialism.
A short set of new images in the Barcelona Dark series. I am gradually managing to tame the processing and also gradually migrating away from 50mm to 35mm for the shots – largely because the 35mm is noticeably easier to focus and hand-hold. Some of this might just be psychological, but fear of failing to get rapid and accurate focus with a 50mm means that I seem to have more close-up images of subjects with the wider lens. These are also somewhat more randomly framed than usual. Not sure if […]
A short set of Italian alpine landscape images, which seems appropriate for the time of year. These were shot in several locations, from Vall di Mello to Lago di Como, and are a pretty good summary of what August should be like. Unfortunately for us, August is going to be a busy month, and I am putting the blog on hold now until things settle down in September, when it might also be cool enough to process film again…
More night-time photographs from Barcelona, again shot on Tri-X (400TX) and processed in ID-11 with the M7 and 35mm f1.4. The 35mm does make it easier to deal with focus, but it is very difficult to get close to or isolate subjects except in the narrowest of streets.
Now that the camera, film-stock and developer issues are resolved it is finally time to get around to starting the project that was originally meant to start in January – night photography in Barcelona.
A new set of night shots on film from Barcelona – this time using pushed Tri-X (400TX) developed in ID-11.
After six months away, the M7 is back and seems to be working. These are the last of the test images used to check that the camera was working correctly. All the images were shot here using Delta 400 rated at EI1600 and push-processed in DD-X 1+4. Everything was shot with either a 50mm C-Sonnar or Summilux lens with manual exposure and manual focusing.
A short sequence of randomised image pairs from Sant Gervasi to Vallvidrera.
The M7 is now back from its latest repair attempt in Leica, and I have shot a couple of test films to re-check the focus calibration and metering. So far, it looks promising. The metering is now usable at ISO 400, and ISO 1600 looks ok down to about 1/8th second (a huge improvement from before, where it was failing at 1/125th). But…
A quick set of images of the Walden 7, an innovative high-density housing block in Sant Just Desvern, on the edge of Barcelona. These were taken on the way back from a walk along the hills at the edge of the city, with a conscious detour to see the block that was just possible before heavy thunderstorms arrived.