This is a brief review of Capture One Pro 11, the latest update to Phase One’s alternative to Adobe Lightroom. The key new features are: image annotations enhancements to layer functionality performance improvements This is a pretty slim list, which is why this is only a brief review…
A brief review looking at three different options for polarising filters that can be used with Leica M series cameras.
This is a user-review of the Leica M typ 262, based on one year of use with a mix of street, landscape and architectural photography.
Phase One has just announced the latest update to their flagship RAW processing software, Capture One 10, with a raft of new features and improvements – and a €99 price tag for the update. Is it worth upgrading? Capture One is a RAW developer that was originally designed primarily to support Phase One’s digital medium format backs, but which is today a much more capable package that supports numerous camera types and which now rivals heavyweight software such as Adobe’s Lightroom. I have been using Capture One since version 7, and […]
This is an incredibly late review for the Leica M7, which was released in 2002. Mine is an early version bought second-hand, and I have used it extensively for the last two years over which time I have shoot an average of about one film per week and traveled with it in Europe and the Americas.
This is a short look at the FED 5b rangefinder camera. We found this one at a flea market in Barcelona, for the price of two reels of film. With some care, these cameras can be just as usable today as when they were first made 35 years ago. The Ukrainian built FED 5b was a very basic all-mechanical design, evolved over many years from a copy of an early Leica design. It uses the older Leica M39 lens mount and lacks modern frivolities such as a built-in light-meter. In form and function it is not […]
This is a review of Capture One Pro 8.3.2, specifically from the perspective of a long-time Lightroom user, running Apple’s Mac OS and using several different small cameras (the Canon 5D Mark II and III, Olympus E-M5, Ricoh GR, and various film systems). There is also a brief look at how well Capture One handles RAW compression artefacts from Sony’s new A7R II camera. This is a long post. If you prefer you can jump directly to the conclusion, or to the image processing comparisons with Lightroom. We will also be […]