London – Saturday 20th October 2018 This was the second major march organised around the Peoples Vote: a call for a second referendum on the terms of Brexit. Almost three quarters of a million people attended – so many that the organisers were overwhelmed by the numbers and Parliament Square was unable to contain everyone. Many of the marchers carried home made banners and placards and they spanned all ages and came from all walks of life – including many from all over Europe who were denied a vote in […]
A set of film images from Barcelona, taken around the period of the Diada (the National Day of Catalunya, a focus for nationalism in the region) and the anniversary of the failed 1st October referendum.
Some images of the crane-buildings, constructed along the bank of the Rhine in Köln. The huge 17 story buildings are intended to recall the designs of the old harbour cranes that were here before the port area was redeveloped. The buildings are a mix of offices and residential space which, along with the gorgeous river settings, helps ensure that the area is always lively and interesting to explore.
Photokina is Europe’s largest trade show centred around traditional still-image photography and a photographic gear-lovers paradise. Surprisingly, I have never been to any photographic equipment fair before, so when the opportunity came up to go to Köln this year it was hard to pass up. This is what I found…
Transient Eye is five years old today (!), and so to revisit the theme of the very first post we have a selection of infrared images taken recently while hiking in the Italian Alps.
The fifth and final week of street photography experiments, this week shot with the Leica M7 and 50mm lens(es) on Ilford Delta 400 and processed in DD-X 1+4. Next week a write up on the different techniques that were used over the five weeks and the conclusions…
The penultimate week of street photography experiments, shot entirely using the Ricoh GR II. Given the heat this summer, the Ricoh feels much much less effort to carry than just about any other camera. But equally, the unfiltered sunlight makes composing shots on the LCD screen at best something of a lottery…
More street images from Barcelona, this week shot with the Leica M10 and a 50mm lens.
Week two of the street photography project. This week shot with the Leica M7 and 35mm Summilux on Ilford Delta 400 film.
This is the first of five weekly posts featuring street images take in Barcelona. The idea is to try to improve my street photography my methodologically trying different approaches and subjects. Each week will feature images shot using a specific camera and lens, with the intention of really deciding what style, medium, focal length and way of shooting seems to work best. At the end I will write a summary of what techniques were used and some of the pros-and-cons. For this week, all the images were shot with the […]
One of the challenges with Olympus micro 4/3 cameras is the mind bogglingly large number of options and shooting modes. I use an E-M1 mark II with an Olympus 60mm macro lens to digitise 35mm negatives, but I have never really been sure what the optimum way to configure the camera was. This post is an attempt to put that right…
A set of photographs taken on walks in the Garraf, a “protected area” between Barcelona and Sitges. The zone is disconcertingly industrial for a natural park, even though (somewhat surprisingly) the area is officially part of the Natura 2000 series of protected green spaces.
This is a set of photographs taken at the People’s Vote March in London on 23rd June 2018 – a campaign to call for a public vote on the future relationship between the UK and the EU when the UK leaves on March 29th 2019. This post explains why the People’s Vote is important and why you should sign the petition supporting it.
This is a short user-review of the Minolta MD 16mm f2.8 Fisheye lens, with a selection of images taken using both Minolta film and also Leica digital cameras. This is the first time that I have used a fish-eye lens, with its immense barrel distortion creating unusually distorted images. This particular lens completely fills the full 35mm rectangular frame, with the image diagonal spanning a full 180 degree field of view.
Five fragments from Barcelona, shot on 35mm black-and-white film. All images shot with the Leica M7 with 35mm Summilux on Ilford Delta 400.
A short set of architectural fragments, shot in Frankfurt. There is a lot of new development in this relatively small city, driven in no small part by the exodus of banking from the UK due to Brexit. One of the (many) economic problems for the UK created by Brexit is the impending loss of financial passporting rights, which allow more than 5000 financial companies in the UK to trade across Europe – including full access to the lucrative Euro denominated clearing and derivative markets. Brexit means that they will loose […]