A new set of night shots on film from Barcelona – this time using pushed Tri-X (400TX) developed in ID-11.
After six months away, the M7 is back and seems to be working. These are the last of the test images used to check that the camera was working correctly. All the images were shot here using Delta 400 rated at EI1600 and push-processed in DD-X 1+4. Everything was shot with either a 50mm C-Sonnar or Summilux lens with manual exposure and manual focusing.
A short sequence of randomised image pairs from Sant Gervasi to Vallvidrera.
The M7 is now back from its latest repair attempt in Leica, and I have shot a couple of test films to re-check the focus calibration and metering. So far, it looks promising. The metering is now usable at ISO 400, and ISO 1600 looks ok down to about 1/8th second (a huge improvement from before, where it was failing at 1/125th). But…
A quick set of images of the Walden 7, an innovative high-density housing block in Sant Just Desvern, on the edge of Barcelona. These were taken on the way back from a walk along the hills at the edge of the city, with a conscious detour to see the block that was just possible before heavy thunderstorms arrived.
Another short set of push-processed film images, showing some fragments of urban Barcelona. These are from some more test rolls looking to improve the processing and improve contrast (using Delta 400 in DD-X 1+4).
A shot set of images connected to the Spanish Civil war, shot around Barcelona while hunting for some contextual images for the State of Independence series.
A short set of panoramic black and white film images taken around El Prat, just outside of Barcelona. This is a mainly agricultural area, with many walks that make a nice change from being in the city. All images made with the Horizon panoramic camera, using Delta 100 film.
A short set of landscape images from the Gallecs rural space, just outside of Barcelona. This is a large area which has been preserved as farmland, largely thanks to the efforts of the local population to resist the pressures of urban and industrial development. The freshly ploughed clay soils have an amazingly deep and rich red colour. And lastly, a bonus image of some street art in the underpass connecting the town of Mollet del Vallès to the agricultural lands:
A few shots from the student climate protest/strike today in Barcelona, as thousands of marchers demonstrated against the increasingly worrying evidence of accelerating climate change. This is part of a growing and international effort by the young to fight back against the planetary legacy that they are inheriting.
The first of an occasional series looking holistically at the transitions between intra and extra-urban spaces.
An update on the Catalan Nationalist process, as the political leaders responsible for the 1st October referendum and failed unilateral declaration of independence go on trial.
A short set of street images, this time exploring the use of a diffusion filter in bright sunlight. This is a slightly weaker filter than was used for Night Mist, and I prefer the results better. When shot in diffuse daylight the effect is an almost imperceptible loss of contrast, so these shots were specifically shot with as much light and contrast as possible…
A set of colour film images, shot on Kodak Gold 200 and processed at home using the Tetenal ColorTek C41 kit. These were intended to clear the pipeline for a future project, checking both the characteristics of the film and developer, and also the scanning and subsequent colour correction.
A set of five images shot on film at night in Barcelona. These were shot with 400TX and Delta 400, pushed two stops in DD-X 1+4 as part of a test to get a feel for how the films compare in low light. Overall, the results are very similar (can you tell them apart?) – the Tri-X appears to have slightly better exposure latitude, while the Delta looks finer grained. On balance I prefer the slightly grittier Tri-X, and will try to shoot a series using this next year.
A short set of images taken along the seafront in Barcelona shortly after a storm had passed, These were shot with a Minolta X700 and a Tokina 28-70mm objective as part of some tests to select a lens for a future project. I bought the Tokina while a student, thirty years ago, and never really liked the image quality. Wide open it is just soft across the frame and without any real character – it needs to be stopped down to at least f8 to get decent results. Despite this, […]