Spain’s massive COVID spike not withstanding, it is now at least possible, if not necessarily advisable, to go out and photograph on the streets again. These are some of the images from the initial attempts to resume the Barcelona Dark project. In fact, getting back to photographing at night again is proving somewhat challenging. Having moved home more or less during the worst of the pandemic earlier this year, the surrounding area is different and needs a different approach to photography. I also feel like I have lost a lot […]
Barcelona, and indeed all of Spain, is now shut down thanks to the COVID-19 emergency. It is now illegal for people to go out of their homes other than for essential purposes such as food or medical supplies, and the police are actively enforcing the measures and fining or arresting violators.
This is a short look the Leica M-A film camera, from the perspective of someone used to shooting the technically much more advanced M7. The M7 has been my main film camera for more than five years now. What started as an experiment to reduce the size and weight of camera equipment has ultimately led a growing reliance on Leica M series rangefinders for most of my photography. A key advantage being the ability to keep the same lenses and basic shooting experience in both digital and 35mm film media.
A short set of images from the independence backing encampment in Plaça Universidad, which was recently disbanded after more than three weeks of blocking traffic and a key public transport interchange in the centre of the city.
More Barcelona street photography at night, shot with push-processed film.
Four more night-time street images shot on film, with a focus on tourism and commercialism.
A short set of new images in the Barcelona Dark series. I am gradually managing to tame the processing and also gradually migrating away from 50mm to 35mm for the shots – largely because the 35mm is noticeably easier to focus and hand-hold. Some of this might just be psychological, but fear of failing to get rapid and accurate focus with a 50mm means that I seem to have more close-up images of subjects with the wider lens. These are also somewhat more randomly framed than usual. Not sure if […]
More night-time photographs from Barcelona, again shot on Tri-X (400TX) and processed in ID-11 with the M7 and 35mm f1.4. The 35mm does make it easier to deal with focus, but it is very difficult to get close to or isolate subjects except in the narrowest of streets.