Not entirely sure why, but there were a pair of neatly parked slippers on the street. C/Tallers, Barcelona. Leica M7, 50mm, Delta 400 in ID-11 1+1.
Institut d’ Estudis Catalans (Santa Creu), Barcelona. Leica M7 with 50mm and Ilford Delta 400 in ID-11.
Carrer de la Portarferrissa, Barcelona. Leica M7 with 50mm and Ilford Delta 400.
Street scene, Plaça de Joan Amades, Barcelona. Leica M7 with 50mm and Ilford Delta 400 in ID-11.
El Teatre Lliure, seen from the Monjuïc, Barcelona. Leica M7 with 50mm on Ilford Delta 400 in DD-X.
A seemingly abandoned camp site, on the side of the Monjuïc, Barcelona. Ilford Delta 400 in ID-11 1+1.
The industrial port seen from the edge of the Monjuïc, Barcelona. Ilford Delta 400 in ID-11.
Ilford Delta 400, in DD-X 1+1.
The Torre de Jaume I (central station) on the Telefèric del Port connecting the Montjuïc and Barceloneta. Ilford Delta 100, accidentally exposed at EI 400. I miss using a camera with a holder for the film-box stub!
Another illegal alien, this time painted on a wall in the Ciutat Vella, Barcelona. Ilford Delta 400 pushed to EI 1600 in ID-11 1+1. The push processing works extremely well with this kind of image (even if shooting static subjects at ISO 1600 in daylight makes little sense other than for test purposes…), as the grain works naturally with the texture of the brick wall. The subject also helps here, as the dynamic range of this scene is much less than many of the previous test images.
Manteros at the beach in Barceloneta, having been displaced by the police from around the luxury marina (we can not have all those poor tax-evading billionaires being upset by the sight of illegal aliens selling illegal goods now, can we). Another 35mm test shot using Delta 400 pushed to EI 1600 in ID-11 1+1. Again, a difficult back-lit exposure where the there is little shadow detail remaining on the negatives.
People rowing at Port Vell, Barcelona. Leica M7 with 50mm on Delta 400 at EI 1600 and processed in ID-11 at dilution 1+1. This was the best of three shots taken in rapid succession to bracket for exposure. The grain works quite nicely with the textured background here.
Another test shot, pushing Delta 400 to EI 1600 in ID-11 with dilution 1+1. This was taken in full sunlight in Sant Andreu, using an ND filter to bring the exposure down to something that the camera could manage. The daylight shots are better exposed that those from the night, but the reduced dynamic range compared to similarly pushed HP5+ is still evident.
Dancing partners, forming part of the very modern pesebre (nativity scene) that was hosted in Plaça de Sant Jaume, Barcelona. Another test shot with Ilford Delta 400 pushed to EI 1600 and processed in ID-11 dilution 1+1. This was taken after dark, and the resulting scans are struggling a bit to pick up shadow detail in high-contrast scenes such as this where the camera metering has probably underexposed the image slightly. Compared to similarly pushed HP5+ the Delta seems to have much finer grain, but less exposure latitude.
Sombrerería Obach, Barcelona. Another Ilford Delta 400 push-processing example, at EI 1600 in ID-11. It is very much easier to loose shadow detail with these night shots, partly because the M7’s metering tends to err on the under-exposure side when there are bright lights present, and partly because the available dynamic range of the film is being compressed somewhat by the push-processing. Would be interesting to compare this with some images shot with Delta 3200 at EI 1600, which should have tighter grain and a bit more exposure latitude.
Carrer de Sant Domènec del Call, Barcelona. Part of a test series to explore push-processing with Ilford Delta 400 – in this case shot at EI 1600 and processed in ID-11. Shot with the M7 and a 50mm lens.