That things are not what they seem should be an automatic reaction to anything that is reported today on the internet. Leica M7 with 50mm on Delta 100 and processed in ID-11 at dilution 1+1. It is immediately obvious how much smoother the image is compared to the previous (push processed) example, and while I like the result I suspect that it would be fairly easy to replicate this with a digital camera.
Another test shot, pushing Delta 400 to EI 1600 in ID-11 with dilution 1+1. This was taken in full sunlight in Sant Andreu, using an ND filter to bring the exposure down to something that the camera could manage. The daylight shots are better exposed that those from the night, but the reduced dynamic range compared to similarly pushed HP5+ is still evident.
Dancing partners, forming part of the very modern pesebre (nativity scene) that was hosted in Plaça de Sant Jaume, Barcelona. Another test shot with Ilford Delta 400 pushed to EI 1600 and processed in ID-11 dilution 1+1. This was taken after dark, and the resulting scans are struggling a bit to pick up shadow detail in high-contrast scenes such as this where the camera metering has probably underexposed the image slightly. Compared to similarly pushed HP5+ the Delta seems to have much finer grain, but less exposure latitude.
Sombrerería Obach, Barcelona. Another Ilford Delta 400 push-processing example, at EI 1600 in ID-11. It is very much easier to loose shadow detail with these night shots, partly because the M7’s metering tends to err on the under-exposure side when there are bright lights present, and partly because the available dynamic range of the film is being compressed somewhat by the push-processing. Would be interesting to compare this with some images shot with Delta 3200 at EI 1600, which should have tighter grain and a bit more exposure latitude.
Carrer de Sant Domènec del Call, Barcelona. Part of a test series to explore push-processing with Ilford Delta 400 – in this case shot at EI 1600 and processed in ID-11. Shot with the M7 and a 50mm lens.
Plaça dels Angels, Barcelona. Shot with the M7 and 21mm SEM with a deep orange filter on Ilford Delta 100.
The sixth and final in a set of semi-abstract images of the Museu d’ Art Contemporani de Barcelona (MACBA). Leica M7 with 21mm SEM and a 091 dark red filter, shot on Delta 100 and processed in ID-11 1+1.
The fifth in a set of semi-abstract images of the Museu d’ Art Contemporani de Barcelona (MACBA). Leica M7 with 21mm SEM and a 091 dark red filter, shot on Delta 100 and processed in ID-11 1+1.
Fourth in a set of semi-abstract images of the Museu d’ Art Contemporani de Barcelona (MACBA). Leica M7 with 21mm SEM and a 091 dark red filter, shot on Delta 100 and processed in ID-11 1+1.
The third of a set of semi-abstract images of the Museu d’ Art Contemporani de Barcelona (MACBA). Leica M7 with 21mm SEM and a 091 dark red filter, shot on Delta 100 and processed in ID-11 1+1.
Second of a set of semi-abstract images of the Museu d’ Art Contemporani de Barcelona (MACBA). Leica M7 with 21mm SEM and a 091 dark red filter, shot on Delta 100 and processed in ID-11 1+1.
The first of a set of semi-abstract images of the Museu d’ Art Contemporani de Barcelona (MACBA). The museum opened in 1995 and exhibits a wide range of modern artworks. The MACBA is also infamous for being rather more successful as a skateboarding destination – something which sits awkwardly with local residents and is somewhat at odds with the serene modernist architecture originally envisaged by the architect and which invites comparison with the Getty Centre in Los Angeles. But perhaps the architectural connection connection with skateboarding was there from the beginning… Leica M7 […]
More street art from Barcelona. Shot on Delta 100 and processed in ID-11 1+1.
More street art from Barcelona. Shot on Delta 100 and processed in ID-11 1+1.
More street art from Barcelona, starting with a distinctly Catalan theme. Shot on Ilford Delta 100 and processed in ID-11 1+1.
