Fragments of a Life
Another short set of push-processed film images, showing some fragments of urban Barcelona. These are from some more test rolls looking to improve the processing and improve contrast (using Delta 400 in DD-X 1+4).
Another short set of push-processed film images, showing some fragments of urban Barcelona. These are from some more test rolls looking to improve the processing and improve contrast (using Delta 400 in DD-X 1+4).
A set of stormy beach scenes, shot along the coast from Badalona to el Masnou, north of Barcelona. These were part of a film shot as part of a processing test for Delta 400 exposed at EI1600 and processed in DD-X 1+4 as if shot at EI 3200. The resulting grain is quite harsh, but also quite fine compared to faster films. The film was scanned using an E-M1.2 with a macro lens, which tends to de-emphasise the grain compared to standalone (non-flatbed) film scanners.
This is a short user-review of the Minolta MD 16mm f2.8 Fisheye lens, with a selection of images taken using both Minolta film and also Leica digital cameras. This is the first time that I have used a fish-eye lens, with its immense barrel distortion creating unusually distorted images. This particular lens completely fills the full 35mm rectangular frame, with the image diagonal spanning a full 180 degree field of view.
Almost all the cameras we use are chosen for their performance and image quality. But sometimes clean images are not what you see or want when interpreting a subject. For this set of images we have used a modified Centon 50mm lens, mounted on an old Minolta film camera. The Centon was an ultra-budget lens, badged and sold by Jessops in the 1980’s and about as far from a modern Summilux or Otus as you can imagine. It turns out to be very easy to unscrew the mounting for the front element, and re-install it in a […]