A slightly belated and vaguely Valentine’s day related post, with a set of macro photographs of prize-aspiring roses. Apologies for what a somewhat “filler” post – this was shot at the annual rose competition in Barcelona last year. Unfortunately, the photography here is somewhat disrupted following several incidents that conspired to combine equipment, photographer and gravity in a rather unfortunate way. The photographs were taken using a mix of Canon 5DIII with 100mm f2.8L macro, and the Olympus OM-D E-M10 with 60mm macro lens. In practise, it is almost impossible to tell which camera took which […]
View towards il Giumello from somewhere above Crandola. The mountain is surprisingly bald, due to grazing by cows and goats. Canon 5DIII with 100mm macro, which doubles as a nice short telephoto for landscape images.
I am not entirely sure what this hut is used for, at least when it is not snowing. Alpe Paglio, Italy
Helix sp on a rock. This is a good example of what can be done to rescue a somewhat badly lit photograph in Capture One. After adjusting the overall exposure, the snail was masked and the surrounding background significantly dimmed. This is the original image:
Macro photograph of water droplets on a leaf. It rained a lot in August… Another image somewhat experimentally processed in Capture One. Still trying to figure out the best workflow and settings.
Continuing the digression, a short series of nature macro images. After almost exclusively using a range-finder with black-and-white film, it feels strange to be shooting both close-up and in colour – and also not needing to clone out a tonne (metric) of dust and fluff from the scanning. Back to black-and-white in a week’s time, when the next batch of films have been properly processed and scanned (and also when I have figured out the easiest batch conversion to work around the grayscale TIFF bug in CaptureOne…)
Again, something slightly different from usual with some abstract(ish) natural textures photographed while walking in the Alps. With one exception these were again shot using a polarising filter – which lived on the camera most of the time as a way to cut out haze and reflections on this rather damp trip.